ABOUT
YANCEY RICHARDSON
NAME:
YANCEY RICHARDSON
ROLE:
Art Gallery
INDUSTRY:
Art Industry
COUNTRY:
United States
Yancey Richardson Gallery: Elevating Vision Through Lens-Based Art
Established in 1995, the Yancey Richardson Gallery stands as a beacon in the world of lens-based art, representing visionary artists in photography, film, and related media. Their commitment extends beyond the gallery's walls, collaborating with museums, private institutions, esteemed art collectors, and fellow galleries to propel the careers of the artists they champion.
The gallery's portfolio is a tapestry of emerging talents and mid-career luminaries, including the likes of John Divola, Mitch Epstein, Ori Gersht, Anthony Hernandez, Laura Letinsky, Andrew Moore, Zanele Muholi, Mickalene Thomas, and Hellen van Meene. It's not confined to the present; the gallery has also paid homage to historically significant figures, showcasing the works of Lewis Baltz, William Eggleston, Ed Ruscha, August Sander, and Larry Sultan.
EARLIER CAREER
The global resonance of Yancey Richardson's artists is evident in the extensive collections and exhibitions at prestigious museums like the Brooklyn Museum of Art, Getty Museum, Centre George Pompidou, Guggenheim Museum, Museum of Modern Art, National Gallery of Art, San Francisco Museum of Modern Art, Stedelijk Museum, Tate Museum, and the Whitney Museum of American Art.
FURTHER HIGHLIGHTS
These artists have left an indelible mark, their works documented in artist monographs and celebrated in prominent art journals. Critical acclaim has flowed through publications such as Art News, Art in America, Artforum, Modern Painters, The Nation, New York Times, and The New Yorker, among many others.
CURRENT HIGHLIGHTS
As a member of the Art Dealers Association of America (ADAA) and the Association of International Photography Art Dealers, Yancey Richardson Gallery is not only dedicated to the art but also to inclusivity. They are actively working to ensure that their website is accessible to all, regardless of any special needs or impairments, aligning with the best practices and standards defined by Section 508 of the U.S. Rehabilitation Act and Level AA of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0.
GALLERY
LINKS:
